Canon Vixia HF200


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Canon's acquitted itself quite well with a nearly identical trio of flash-based AVCHD camcorders, the HF10/HF11/HF100, and follow-up models HF20 and HF200 manage to improve upon their legacy. The only difference between the two models is color and memory configuration: the HF20 has 32GB built in, while the HF200 has none. We tested the HF20.

Smaller and slightly less powerful than their twin brothers, the HF S10 and the HF S100, these models offer a physically smaller but longer 15x zoom lens and smaller, lower resolution 4-megapixel sensor. And though they retain much of the same feature set as those models, they don't supply more enthusiast-oriented niceties like a manual control dial, zebra stripes, and color bars, or a pop-up flash. Still they're a definite upgrade from the older versions. And while they're both more expensive than competitors like the Sony Handycam HDR-CX100 and Panasonic's HDC-TM20/SD20, those camcorders lack features some users consider essential regardless of camcorder size, including an accessory shoe, microphone input, and headphone jack, which the Canons provide. Like most all new models, however, the HF20 and HF200 lack an eye-level EVF.

You wouldn't call it a featherweight, but the HF20/HF200's 13.9 ounces is relatively light for a midrange camcorder, and its 2.8-inch-by-2.4-inch-by-4.9-inch dimensions mean it fits comfortably into a jacket pocket, albeit with some bulging. It's very comfortable to grip and use, with the photo button and zoom rocker on a slight rise to fall naturally under your forefinger. Most of the shooting controls live on the LCD bezel. The function button pulls up both the frequently used settings as well as the full menu system another level down. In addition to the usual--white balance, image effects, digital effects, video quality, and still-photo size, program, and a handful of scene modes--the camcorders offer real shutter- and aperture-priority shooting modes with a shutter speed range of 1/8 to 1/2,000 second and aperture options ranging from f1.8 to f8, giving you more control over depth of field than you generally see in a consumer model, especially a compact one. It also offers Canon's Cine mode for adjusting color and gamma to go with its 24F progressive modes, though it and 30F get recorded as 60i. In still mode you can select metering and drive modes as well. Other high-end features accessible via the menus include three fixed or variable zoom speed and x.v.Color mode.

Navigating down on the joystick while shooting triggers a fly-up menu to turn on the video light, digital effects, 3-second prerecord, backlight and exposure compensation, manual focus, mic level, and face detection. In still mode you gain flash and lose the prerecord. The menu system itself has been updated for a smoother feel and the ability to choose font size. Since the 2.7-inch display is the typical low-resolution model, the small fonts look pixelated and would be hard for some to read. It does stand up pretty well in direct sunlight, however. As we've seen with lots of camcorders, however, the recordings on the LCD look far more contrasty and blown out than the actual video, which means you can't trust it for making exposure or white balance adjustments.
Participating in to the discussion about Canon Vixia HF200 I'll say that its brilliant performance in digital processing can easily define the work done by it so far.The Flash Memory camcorder, it is personified- ultimate. Hence it can be said that the Canon VIXIA HF200 is compact, its ultra lightweight and it delivers great quality HD videos.


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I found the picture quality to be perfect to my untrained eye. Absolutely beautiful. The 15x zoom surprised me ... it was superior to the Sony SR47 (SD) that I purchased at Fry's and took back for store credit and upgraded to HD. Even at 60x digital zoom, the image stabilization was better than the Sony SR47 optical.